The Color Swatch palette in Photoshop is something many digital illustrators use on a daily basis. Many times people use only the default color swatches, without realizing that they have choices – from the range of colors themselves, to the way they are displayed.

The typical color swatch setup is displayed as small thumbnail squares. By default there are only a few rows of colors that are visible. If you click on the small black triangle on the upper righthand side of the color swatch panel, you’ll see that you have several types of swatch combinations to choose from.

Below is the FOCOLTONE Color swatch. I like using it because it gives me a solid range of colors to choose from, for the type of illustration work I do. I select the color from the swatches palette to give me a rough idea of the color I am shooting for.

After I have selected my “rough” color, I use the Hue / Saturation dialog box (Control-U / Command-U) to dial in the specific color I am looking for.

You can interactively add additional color swatches to your list by appending one of the many color swatch collections shown on the 2nd figure above, or by hovering over the color swatch palette. Moving the mouse over the color swatch palette turns the cursor to an eye dropper tool, and clicking will place the foreground color (from the Toolbox) into your color swatch palette.

You can display your colors as small thumbnails, large thumbnails, small lists, or large lists. Here is an example of the Small List view:

I prefer the thumbnail view because there’s less scrolling involved. The list view can be immensely helpful in precise color matching, because the name of the color is provided next to its swatch.

You can save, load, rename and even delete custom swatches as well.

I hope that this quick guide has expanded your idea on the hidden power of the Color Swatch palette. Now go forth and color!

-Krishna

This month, voting takes place for the 2009 Webcomic Readers Choice Awards. Far be it from me to ask you to cast a vote for my comics (though I’d be very humbly appreciative),
rather – I would like you to vote for the webcomics you enjoy the most.

Take a look at the nominees – there’s lots of terrific reading to be had by looking through the list.

-Krishna

A few weeks ago, Brock Heasley approached me to draw a 3 page SuperFogeys: Origins story. The story was originally intended for David Reddick to illustrate, but Dave had to bow out due to a very busy schedule.

I was nervous and excited about the opportunity. Nervous because it had been a very long time since I attempted a page-based comic layout. Excited because, deep down, I’d been jonesing to draw some action sequence based comics.

Brock was a total pleasure to work with. He sent me a very tight script, but left it up to me to pick camera angles. I broke the script down into thumbnails and sent him the roughs to get feedback. The whole process was exciting and fun – especially because I could just draw and not have to worry about writing for a change.

Below are the roughs for page 1. You can click on ‘em to see the larger version.

As page 2 and page 3 get published on SuperFogeys, I’ll post the roughs for those pages online.

Enjoy!

-Krishna